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Cochlear Implants and Music

February 2003 - One of the common complaints of people who use CIs is the difficulty they have with music. Now an English engineer has announced innovations that will improve music listening with a CI.

January 2006 - Advanced Bionics Working on 120 Channel Processor

October 2006 - Teaching a Cochlear Implantee to Play the Viola

June 2007 - Cochlear implants can help patients enjoy listening to and making music

January 2008 - A Cochlear Implant Processor for Encoding Music and Lowering Stimulation Power

February 2008 - Listening to Music with Your CI

August 2008 - Listening to Music through a Cochlear Implant

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Advanced Bionics Working on 120 Channel Processor

January 2006

One of the most common complaints of cochlear implant (CI) users is that music just doesn't sound very good. Some users do enjoy music with their CIs, but many don't. Advanced Bionics is working on a 120 channel processor that provides enhanced music appreciation in some CI users. The technology seems not to work for everyone, and there are some other issues. Here's the story. 

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Cochlear implants can help patients enjoy listening to and making music

June 2006

It is well documented that cochlear implants do not prevent users from appreciating music and that many wearers enjoy listening to music. To cite a specific example, Victor Senn, a post-lingually  deafened adult, reported the following in his cochlear implant diary: “Yesterday, I bought a CD of George Gershwin. I listened to his Rhapsody in Blue, Lullaby, An American  in Paris, and Cuban Overture. These are wonderful music pieces." In addition to the growing body of research studies and anecdotal accounts from cochlear implant users, there are also case studies that support the use and esthetic gain for these individuals from listening to music. For example, Hapel and Pahlke described a systematic music listening program consisting of six steps that aided in the listening process of a post-lingually deafened adult implant recipient during the post-surgical rehabilitation phase.  Full Story

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A Cochlear Implant Processor for Encoding Music and Lowering Stimulation Power

January 2008

This 75 dB, 357 mW analog cochlear-implant processor encodes fine-phase-timing spectral information in its asynchronous stimulation outputs, to convey music to deaf patients. This processor features asynchronous interleaved sampling (AIS) and uses a race-to-spike winner-take-all strategy. This strategy ensures that sampling for electrode stimulation occurs on only one channel at a time, thus preventing electrode-smearing interactions. Phase-encoded, high-rate sampling of high-intensity channels, along with lower-rate sampling of low-intensity channels, is typically achievable. This keeps stimulation power low and enables more natural, asynchronous stochastic stimulation of the auditory nerve. Reconstructions of music encoded from this processor's sampled outputs reveal significantly better fidelity compared with traditional processing schemes, which convey only amplitude information. This processor's power consumption is more than an order of magnitude lower than traditional A/D-then-DSP cochlear-implant processors. Programmability is achievable because 546 bits can alter 165 spectral and AIS parameters via a serial interface. This article is part of a special issue on implantable electronics.  Full Story

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Listening to Music with Your CI

February 2008

John Redden is a deaf professional musician. He can sing on key, harmonize on key, and hear musical intervals well enough to reproduce them. He does this with a cochlear implant, which is a computer chip surgically embedded in his skull. The chip drives 16 tiny electrodes threaded into his inner ear that stimulate his auditory nerves. It gets auditory data from an external computer sitting on his ear that looks like a hearing aid. Instead of amplifying sound, though, it digitizes it and sends it to the implant by radio through the skin. The technology is a marvel, but people like Redden are a mystery. The software is designed for speech, so it only "listens" to the speech frequencies rather than the much wider range occupied by music. The device delivers the overall shape of sound rather than the detailed frequency information that is crucial to distinguishing one pitch from another.   Full Story